A Heartwarming Story on the Importance of Family Ties Caillou is disappointed when his friend Sarah gets sick and can't come over to play. To cheer him up, Daddy tells him the story of a great knight who protects his kingdom from a terrible dragon —with a little help from his family. Caillou learns that families can be a person's best friends and allies.

Where's Gene Kelly when you need him? Robert Carlyle stars in this doomsday tale, where the meeting of a powerful storm and dangerously high seas results in a tidal surge of biblical proportions sweeping down the east coast of England en route for London. With the Thames Barrier breached and panic mounting, marine defence expert Rob (Carlyle) has to think fast if the capital is to avoid ultimate catastrophe.

An Anthology of Australian Albums offers an overview of Australian popular music through the lens of significant, yet sometimes overlooked, Australian albums. Chapters explore the unique qualities of each album within a broader history of Australian popular music. Artists covered range from the older and non-mainstream yet influential, such as the Missing Links, Wendy Saddington and the Coloured Balls, to those who have achieved very recent success (Courtney Barnett, Dami Im and Flume) and whose work contributes to international pop music (Sia), to the more exploratory or experimental (Curse ov Dialect and A.B. Original). Collectively the albums and artists covered contribute to a view of Australian popular music through the non-canonical, emphasizing albums by women, non-white artists and Indigenous artists, and expanding the focus to include genres outside of rock including hip hop, black metal and country.

An Anthology of Australian Albums offers an overview of Australian popular music through the lens of significant, yet sometimes overlooked, Australian albums. Chapters explore the unique qualities of each album within a broader history of Australian popular music. Artists covered range from the older and non-mainstream yet influential, such as the Missing Links, Wendy Saddington and the Coloured Balls, to those who have achieved very recent success (Courtney Barnett, Dami Im and Flume) and whose work contributes to international pop music (Sia), to the more exploratory or experimental (Curse ov Dialect and A.B. Original). Collectively the albums and artists covered contribute to a view of Australian popular music through the non-canonical, emphasizing albums by women, non-white artists and Indigenous artists, and expanding the focus to include genres outside of rock including hip hop, black metal and country.

Detailed information on all aspects of bat surveying - The Bat Workers' Manual is an essential reference for anyone wishing to obtain a licence to carry out bat work in the UK. With excellent drawings by Tom McOwat. The manual incorporates required changes and includes recommendations on the handling of bats, vaccinations against EBLV and a list of contact details for finding up-to-date advice on the subject. Updated information on legislation, and other advice, has also been included. This version of The Bat Workers' Manual is a reprint of the 3rd edition (with no change or updates from the 3rd edition 1861075588, published in 2004)

Over the past 25 years, Icelandic music has been gaining considerable international attention. This is attested to by the international success of such acts as the Sugarcubes, and then Bjork as a solo artist, followed by the worldwide success of Sigur Ros, and more recently Of Monsters and Men. And these artists reveal themselves to be 'the tip of the iceberg', once one delves further into the music of Iceland and the myriad of genres that are thrive there. That such a small country can produce so much music of quality, value and acclaim is a fascinating situation that has boosted Icelandic tourism and made the country the 'hippest' place in the world. This is a book of wide-ranging essays on different aspects of Icelandic music, from the ancient traditional chants of rimur to the large output of classical music by nationalist composer Jon Leifs and others, to the plethora of Icelandic rock and pop groups that have already made an impact on the world as well as more idiosyncratic and genre-bending musicians now emerging from the Reykjavik music scene.

The first and only full-length critical study of Dario Fo, the 1997 Nobel Prize for Literature Winner This book, now extensively rewritten and updated, remains the only full-length critical study to cover various phases of Dario Fo's theatrical career. It looks at Fo's political influences and also the influence on his work of various theatrical motifs, including the great clown traditions which stretch back to the middle ages. The political work of Dario Fo and his wife/collaborator Franca Rame is charted from the 1960s up to the present to give the reader clear insight into this playwright/performer's unique literary and theatrical strengths. Each of Fo's plays and productions is discussed at length and the author has included an extensive and updated bibliography which includes full production details, quotes and writings about Fo.Always a popular performer in his native Italy, Fo has been one of the world's most performed dramatists. In the author's words: he is the "people's court jester".

The thirteen essays that comprise Global Noise explore the hip hop scenes of Europe, Anglophone and Francophone Canada, Japan and Australia within their social, cultural and ethnic contexts. Countering the prevailing colonialist view that global hip hop is an exotic and derivative outgrowth of an African-American-owned idiom subject to assessment in terms of American norms and standards, Global Noise shows how international hip hop scenes, like those in France and Australia, developed by first adopting then adapting US models and establishing an increasing hybridity of local linguistic and musical features. The essays reveal diasporic manifestations of international hip hop that are rarely acknowledged in the growing commentary on the genre in the US. In the voices of rappers from around the globe with divergent backgrounds of race, nationality, class and gender, the authors find a consistent rhetoric of opposition and resistance to institutional forms of repression and the construction of a cohesive, historically-based subculture capable of accommodating regional and national diversities.
CONTRIBUTORS: Roger Chamberland, Ian Condry, David Hesmondhalgh, Claire Levy, Ian Maxwell, Caspar Melville, Sarah Morelli, Mark Pennay, Andre J.M. Prevos, Ted Swedenburg, Jacqueline Urla and Mir Wermuth.